Journal d un prince banni
Le « prince rouge » met le feu au palais ! Pour la première fois, un membre de la famille régnante au Maroc décrit la monarchie de l’intérieur. Cousin germain du roi Mohammed VI, Moulay Hicham el Alaoui raconte l’envers du « royaume exemplaire » dans un langage franc et profondément humain. Il a déjà payé le prix de ses convictions, à la mort de Hassan II en 1999 : ayant alors réclamé une vraie monarchie constitutionnelle – un royaume pour tous – à la place du makhzen, le pouvoir traditionnel, arbitraire et prédateur, il a été banni du palais. Harcelé et menacé dans son pays, il vit depuis 2002 avec sa famille aux États-Unis. Ce « journal » est bien plus qu’un manifeste politique. Fil d’Ariane dans les méandres du palais, conte fabuleux de mille-et-une anecdotes, tragédie shakespearienne pleine de fureur, de passions, de jalousie et de calculs, il raconte la jeunesse commune des princes, leur éducation au Collège royal, les arcanes du sérail qui auront raison de leur complicité. Il brosse un portrait de Hassan II étourdissant de vérité, de grandeur indéniable et de cruauté perverse. Ce souverain prêt à « pendre ses ennemis par les cils de leurs yeux » n’a pas de successeur à sa mesure. Salué comme « le roi des pauvres », Mohammed VI se révèle un roi lointain. Rasons le palais s’il emprisonne la démocratie au Maroc ! Pour la première fois, un prince alaouite raconte le royaume vu du sérail dans un langage vif, humain et sans concession. Cousin germain du roi Mohammed VI, Moulay Hicham a été banni du palais pour avoir réclamé, à la mort de Hassan II en 1999, une vraie monarchie constitutionnelle - un royaume pour tous - à la place du makhzen, le pouvoir traditionnel, arbitraire et prédateur. Harcelé et menacé dans son pays, il vit depuis 2002 avec sa famille aux États-Unis. Ce « journal » est bien davantage qu’un manifeste politique. Fil d’Ariane dans les méandres du palais, conte oriental de mille-et-une anecdotes, il campe un portrait de Hassan II étourdissant de grandeur indéniable et de cruauté perverse. Or, ce souverain excessif, prêt à « pendre ses ennemis par les cils de leurs yeux », n’a pas de successeur à sa mesure. Timide, écrasé par son père, le prince héritier n’aime pas le métier du pouvoir. En revanche, son cousin rue dans les brancards pour grandir en s'opposant à Hassan II, à la fois mentor et repoussoir. La suite se lit comme une tragédie shakespearienne.
A gripping memoir that reads like a political thriller--the story of Malika Oufkir's turbulent and remarkable life. Born in 1953, Malika Oufkir was the eldest daughter of General Oufkir, the King of Morocco's closest aide. Adopted by the king at the age of five, Malika spent most of her childhood and adolescence in the seclusion of the court harem, one of the most eligible heiresses in the kingdom, surrounded by luxury and extraordinary privilege. Then, on August 16, 1972, her father was arrested and executed after an attempt to assassinate the king. Malika, her five younger brothers and sisters. and her mother were immediately imprisoned in a desert penal colony. After fifteen years, the last ten of which they spent locked up in solitary cells, the Oufkir children managed to dig a tunnel with their bare hands and make an audacious escape. Recaptured after five days, Malika was finally able to leave Morocco and begin a new life in exile in 1996. A heartrending account in the face of extreme deprivation and the courage with which one family faced its fate, Stolen Lives is an unforgettable story of one woman's journey to freedom.
The banished prince
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"When Molly Wizenberg married Brandon Pettit, she vowed always to support him, to work with him to make their hopes and dreams real. She evinced enthusiasm about Brandon's enthusiasms: building a violin, building a boat, and opening an ice cream store--none of which came to pass. So when Brandon started making plans to open a pizza restaurant, Molly felt sure that the restaurant would join the list of Brandon's abandoned projects. When she finally realized that Delancey really was going to happen, that Brandon was going to change all of her assumptions about what their married life would be like, it was too late. She faced the first crisis in their young marriage. Opening a restaurant is not like hosting a dinner party every night. Molly and Brandon's budget was small, and the tasks at hand were often overhwelming. They had to find a space they could afford, gut renovate it themselves, find second-hand furniture and equipment, build what furniture they couldn't find, buy and install a wood-burning oven, pass health inspections, hire staff, and establish a billing and payroll system. They lost a financial partner. Their cook disappeared the day they opened. Still, their restaurant was a success, and Molly managed to convince herself that she was happy in their new life. Until Halloween night, when she was forced to admit she could no longer pretend. While Delancey is a funny and frank look at behind-the-scenes restaurant life, it is also a bravely honest and moving portrait of a tender young marriage and two partners who had to find out how to let each other go in order to come together"--
The Voice of Human Justice Sautu l Adalati l Insaniyah
This book is one of the many Islamic publications distributed by Ahlulbayt Organization throughout the world in different languages with the aim of conveying the message of Islam to the people of the world. Ahlulbayt Organization is a registered Organisation that operates and is sustained through collaborative efforts of volunteers in many countries around the world, and it welcomes your involvement and support. Its objectives are numerous, yet its main goal is to spread the truth about the Islamic faith in general and the Shi`a School of Thought in particular due to the latter being misrepresented, misunderstood and its tenets often assaulted by many ignorant folks, Muslims and non-Muslims.
Discussions of the unsettled political and social landscapes in the Middle East and North Africa frequently point to Morocco as an exception. An Arab League member-state, Morocco enjoys a favorable image in the West, seemingly combining a healthy and balanced mix of tradition and modernity, authenticity with openness to foreign cultures, political stability and evolution towards greater pluralism, and a marked improvement in the legal and social status of women. This book offers a comprehensive and detailed scholarly examination of Morocco's political, social and cultural evolution under King Mohammed VI. Contributions from an international lineup of experts on Moroccan history, politics, economy, society and culture explain the tension and dynamics between the state authorities and competing social actors, and highlight the durability of the monarchical institution while also pointing to the continued challenges it faces from a variety of directions. The analysis touches on a number of issues, notably youth, and women and religious reform to investigate how the country has become significantly more open and less repressive, and how any unrest Morocco experienced during the recent ‘Arab Spring’ has been controlled. Employing various disciplines and theoretical perspectives, the result is an analytically rich portrayal which sheds important light on the country's prospects and the challenges it confronts in an era of steadily accelerating globalization. As such, it will be of interest to students and scholars who focus on modern Morocco, North Africa and the Middle East, as well as researchers in the fields of Comparative Politics and International Relations.
Brokers Voters and Clientelism
Brokers, Voters, and Clientelism studies distributive politics: how parties and governments use material resources to win elections. The authors develop a theory that explains why loyal supporters, rather than swing voters, tend to benefit from pork-barrel politics; why poverty encourages clientelism and vote buying; and why redistribution and voter participation do not justify non-programmatic distribution.
Rural escapes for those yearning for a simpler existence, by the creators of the wildly popular tumblr Cabin Porn. Created by a group of friends who preserve 55 acres of hidden forest in Upstate New York-Cabin Porn began as a scrapbook to collect inspiration for their building projects. As the collection grew, the site attracted a following, which is now a huge and obsessive audience. The site features photos of the most remarkable handmade homes in the backcountry of America and all over the world. It has had over 10 million unique visitors, with 350,000 followers on Tumblr. Now Zach Klein, the creator of the site (and a co-founder of Vimeo) goes further into the most alluring images from the site and new getaways, including more interior photography and how-to advice for setting up a quiet place somewhere. With their idyllic settings, unique architecture and cozy interiors, the Cabin Porn photographs, are an invitation to slow down, take a deep breath, and feel the beauty and serenity that nature and simple construction can create.
In this searing and surprising memoir, Samantha Geimer, "the girl" at the center of the infamous Roman Polanski sexual assault case, breaks a virtual thirty-five-year silence to tell her story and reflect on the events of that day and their lifelong repercussions. March 1977, Southern California. Roman Polanski drives a rented Mercedes along Mulholland Drive to Jack Nicholson's house. Sitting next to him is an aspiring actress, Samantha Geimer, recently arrived from York, Pennsylvania. She is thirteen years old. The undisputed facts of what happened in the following hours appear in the court record: Polanski spent hours taking pictures of Samantha on a deck overlooking the Hollywood Hills, on a kitchen counter, topless in a Jacuzzi. Wine and Quaaludes were consumed, balance and innocence were lost, and a young girl's life was altered forever—eternally cast as a background player in her own story. For months on end, the Polanski case dominated the media in the US and abroad. But even with the extensive coverage, much about that day and the girl at the center of it all remains a mystery. Just about everyone had an opinion about the renowned director and the girl he was accused of drugging and raping. Who was the predator? Who was the prey? Was the girl an innocent victim or a cunning Lolita artfully directed by her ambitious stage mother? How could the criminal justice system have failed all the parties concerned in such a spectacular fashion? Once Polanski fled the country, what became of Samantha, the young girl forever associated with one of Hollywood's most notorious episodes? Samantha, as much as Polanski, has been a fugitive since the events of that night more than thirty years ago. Taking us far beyond the headlines, The Girl reveals a thirteen-year-old who was simultaneously wise beyond her years and yet terribly vulnerable. By telling her story in full for the first time, Samantha reclaims her identity, and indelibly proves that it is possible to move forward from victim to survivor, from confusion to certainty, from shame to strength.
Scribbling the Cat
When Alexandra ("Bo") Fuller was home in Zambia a few years ago, visiting her parents for Christmas, she asked her father about a nearby banana farmer who was known for being a "tough bugger." Her father's response was a warning to steer clear of him; he told Bo: "Curiosity scribbled the cat." Nonetheless, Fuller began her strange friendship with the man she calls K, a white African and veteran of the Rhodesian war. With the same fiercely beautiful prose that won her acclaim for Don't Let's Go to the Dogs Tonight, Fuller here recounts her friendship with K. K is, seemingly, a man of contradictions: tattooed, battle scarred, and weathered by farm work, he is a lion of a man, feral and bulletproof. Yet he is also a born-again Christian, given to weeping when he recollects his failed romantic life, and more than anything else welling up inside with memories of battle. For his war, like all wars, was a brutal one, marked by racial strife, jungle battles, unimaginable tortures, and the murdering of innocent civilians—and K, like all the veterans of the war, has blood on his hands. Driven by K's memories, Fuller and K decide to enter the heart of darkness in the most literal way—by traveling from Zambia through Zimbabwe (formerly Rhodesia) and Mozambique to visit the scenes of the war and to meet other veterans. It is a strange journey into the past, one marked at once by somber reflections and odd humor and featuring characters such as Mapenga, a fellow veteran who lives with his pet lion on a little island in the middle of a lake and is known to cope with his personal demons by refusing to speak for days on end. What results from Fuller's journey is a remarkably unbiased and unsentimental glimpse of men who have killed, mutilated, tortured, and scrambled to survive during wartime and who now must attempt to live with their past and live past their sins. In these men, too, we get a glimpse of life in Africa, a land that besets its creatures with pests, plagues, and natural disasters, making the people there at once more hardened and more vulnerable than elsewhere. Scribbling the Cat is an engrossing and haunting look at war, Africa, and the lines of sanity.