Journal d un prince banni
Le « prince rouge » met le feu au palais ! Pour la première fois, un membre de la famille régnante au Maroc décrit la monarchie de l’intérieur. Cousin germain du roi Mohammed VI, Moulay Hicham el Alaoui raconte l’envers du « royaume exemplaire » dans un langage franc et profondément humain. Il a déjà payé le prix de ses convictions, à la mort de Hassan II en 1999 : ayant alors réclamé une vraie monarchie constitutionnelle – un royaume pour tous – à la place du makhzen, le pouvoir traditionnel, arbitraire et prédateur, il a été banni du palais. Harcelé et menacé dans son pays, il vit depuis 2002 avec sa famille aux États-Unis. Ce « journal » est bien plus qu’un manifeste politique. Fil d’Ariane dans les méandres du palais, conte fabuleux de mille-et-une anecdotes, tragédie shakespearienne pleine de fureur, de passions, de jalousie et de calculs, il raconte la jeunesse commune des princes, leur éducation au Collège royal, les arcanes du sérail qui auront raison de leur complicité. Il brosse un portrait de Hassan II étourdissant de vérité, de grandeur indéniable et de cruauté perverse. Ce souverain prêt à « pendre ses ennemis par les cils de leurs yeux » n’a pas de successeur à sa mesure. Salué comme « le roi des pauvres », Mohammed VI se révèle un roi lointain. Rasons le palais s’il emprisonne la démocratie au Maroc ! Pour la première fois, un prince alaouite raconte le royaume vu du sérail dans un langage vif, humain et sans concession. Cousin germain du roi Mohammed VI, Moulay Hicham a été banni du palais pour avoir réclamé, à la mort de Hassan II en 1999, une vraie monarchie constitutionnelle - un royaume pour tous - à la place du makhzen, le pouvoir traditionnel, arbitraire et prédateur. Harcelé et menacé dans son pays, il vit depuis 2002 avec sa famille aux États-Unis. Ce « journal » est bien davantage qu’un manifeste politique. Fil d’Ariane dans les méandres du palais, conte oriental de mille-et-une anecdotes, il campe un portrait de Hassan II étourdissant de grandeur indéniable et de cruauté perverse. Or, ce souverain excessif, prêt à « pendre ses ennemis par les cils de leurs yeux », n’a pas de successeur à sa mesure. Timide, écrasé par son père, le prince héritier n’aime pas le métier du pouvoir. En revanche, son cousin rue dans les brancards pour grandir en s'opposant à Hassan II, à la fois mentor et repoussoir. La suite se lit comme une tragédie shakespearienne.
The Banished Prince
Laurin Porter A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de The Banished Prince Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
Discussions of the unsettled political and social landscapes in the Middle East and North Africa frequently point to Morocco as an exception. An Arab League member-state, Morocco enjoys a favorable image in the West, seemingly combining a healthy and balanced mix of tradition and modernity, authenticity with openness to foreign cultures, political stability and evolution towards greater pluralism, and a marked improvement in the legal and social status of women. This book offers a comprehensive and detailed scholarly examination of Morocco's political, social and cultural evolution under King Mohammed VI. Contributions from an international lineup of experts on Moroccan history, politics, economy, society and culture explain the tension and dynamics between the state authorities and competing social actors, and highlight the durability of the monarchical institution while also pointing to the continued challenges it faces from a variety of directions. The analysis touches on a number of issues, notably youth, and women and religious reform to investigate how the country has become significantly more open and less repressive, and how any unrest Morocco experienced during the recent 'Arab Spring' has been controlled. Employing various disciplines and theoretical perspectives, the result is an analytically rich portrayal which sheds important light on the country's prospects and the challenges it confronts in an era of steadily accelerating globalization. As such, it will be of interest to students and scholars who focus on modern Morocco, North Africa and the Middle East, as well as researchers in the fields of Comparative Politics and International Relations.
Brokers Voters and Clientelism
Brokers, Voters, and Clientelism studies distributive politics: how parties and governments use material resources to win elections. The authors develop a theory that explains why loyal supporters, rather than swing voters, tend to benefit from pork-barrel politics; why poverty encourages clientelism and vote buying; and why redistribution and voter participation do not justify non-programmatic distribution.
Diana in Search of Herself
Diana in Search of Herself is the first authoritative biography of one of the most fabled women of the century. Even those who knew Princess Diana will be surprised by author Sally Bedell Smith's insightful and haunting portrait of Diana's inner life. For all that has been written about Diana--the books, the commemorative magazines, the thousands of newspaper articles--we have lacked a sophisticated understanding of the woman, her motivations, and her extreme needs. Most books have been exercises in hagiography or character assassination, sometimes both in the same volume. Sally Bedell Smith, the acclaimed biographer, former New York Times reporter, and Vanity Fair contributing editor, has written the first truly balanced and nuanced portrait of the Princess of Wales, in all her emotional complexity. Drawing on scores of interviews with friends and associates who had not previously talked about Diana, Ms. Smith explores the events and relationships that shaped the Princess, the flashpoints that sent her careening through life, her deep feelings of unworthiness, her view of men, and her perpetual journey toward a better sense of self. By making connections not previously explored, this book allows readers to see Diana as she really was, from her birth to her tragic death. Original in its reporting and surprising in its conclusions about the severity of Diana's mental-health problems, Diana in Search of Herself is the smartest and most substantive biography ever written about this mesmerizing woman. NOTE: This edition does not include photographs.
In Goliath, New York Times bestselling author Max Blumenthal takes us on a journey through the badlands and high roads of Israel-Palestine, painting a startling portrait of Israeli society under the siege of increasingly authoritarian politics as the occupation of the Palestinians deepens. Beginning with the national elections carried out during Israel's war on Gaza in 2008-09, which brought into power the country's most right-wing government to date, Blumenthal tells the story of Israel in the wake of the collapse of the Oslo peace process. As Blumenthal reveals, Israel has become a country where right-wing leaders like Avigdor Lieberman and Bibi Netanyahu are sacrificing democracy on the altar of their power politics; where the loyal opposition largely and passively stands aside and watches the organized assault on civil liberties; where state-funded Orthodox rabbis publish books that provide instructions on how and when to kill Gentiles; where half of Jewish youth declare their refusal to sit in a classroom with an Arab; and where mob violence targets Palestinians and African asylum seekers scapegoated by leading government officials as "demographic threats." Immersing himself like few other journalists inside the world of hardline political leaders and movements, Blumenthal interviews the demagogues and divas in their homes, in the Knesset, and in the watering holes where their young acolytes hang out, and speaks with those political leaders behind the organized assault on civil liberties. As his journey deepens, he painstakingly reports on the occupied Palestinians challenging schemes of demographic separation through unarmed protest. He talks at length to the leaders and youth of Palestinian society inside Israel now targeted by security service dragnets and legislation suppressing their speech, and provides in-depth reporting on the small band of Jewish Israeli dissidents who have shaken off a conformist mindset that permeates the media, schools, and the military. Through his far-ranging travels, Blumenthal illuminates the present by uncovering the ghosts of the past—the histories of Palestinian neighborhoods and villages now gone and forgotten; how that history has set the stage for the current crisis of Israeli society; and how the Holocaust has been turned into justification for occupation. A brave and unflinching account of the real facts on the ground, Goliath is an unprecedented and compelling work of journalism.
Scribbling the Cat
When Alexandra ("Bo") Fuller was home in Zambia a few years ago, visiting her parents for Christmas, she asked her father about a nearby banana farmer who was known for being a "tough bugger." Her father's response was a warning to steer clear of him; he told Bo: "Curiosity scribbled the cat." Nonetheless, Fuller began her strange friendship with the man she calls K, a white African and veteran of the Rhodesian war. With the same fiercely beautiful prose that won her acclaim for Don't Let's Go to the Dogs Tonight, Fuller here recounts her friendship with K. K is, seemingly, a man of contradictions: tattooed, battle scarred, and weathered by farm work, he is a lion of a man, feral and bulletproof. Yet he is also a born-again Christian, given to weeping when he recollects his failed romantic life, and more than anything else welling up inside with memories of battle. For his war, like all wars, was a brutal one, marked by racial strife, jungle battles, unimaginable tortures, and the murdering of innocent civilians—and K, like all the veterans of the war, has blood on his hands. Driven by K's memories, Fuller and K decide to enter the heart of darkness in the most literal way—by traveling from Zambia through Zimbabwe (formerly Rhodesia) and Mozambique to visit the scenes of the war and to meet other veterans. It is a strange journey into the past, one marked at once by somber reflections and odd humor and featuring characters such as Mapenga, a fellow veteran who lives with his pet lion on a little island in the middle of a lake and is known to cope with his personal demons by refusing to speak for days on end. What results from Fuller's journey is a remarkably unbiased and unsentimental glimpse of men who have killed, mutilated, tortured, and scrambled to survive during wartime and who now must attempt to live with their past and live past their sins. In these men, too, we get a glimpse of life in Africa, a land that besets its creatures with pests, plagues, and natural disasters, making the people there at once more hardened and more vulnerable than elsewhere. Scribbling the Cat is an engrossing and haunting look at war, Africa, and the lines of sanity.
In this searing and surprising memoir, Samantha Geimer, "the girl" at the center of the infamous Roman Polanski sexual assault case, breaks a virtual thirty-five-year silence to tell her story and reflect on the events of that day and their lifelong repercussions. March 1977, Southern California. Roman Polanski drives a rented Mercedes along Mulholland Drive to Jack Nicholson's house. Sitting next to him is an aspiring actress, Samantha Geimer, recently arrived from York, Pennsylvania. She is thirteen years old. The undisputed facts of what happened in the following hours appear in the court record: Polanski spent hours taking pictures of Samantha on a deck overlooking the Hollywood Hills, on a kitchen counter, topless in a Jacuzzi. Wine and Quaaludes were consumed, balance and innocence were lost, and a young girl's life was altered forever—eternally cast as a background player in her own story. For months on end, the Polanski case dominated the media in the US and abroad. But even with the extensive coverage, much about that day and the girl at the center of it all remains a mystery. Just about everyone had an opinion about the renowned director and the girl he was accused of drugging and raping. Who was the predator? Who was the prey? Was the girl an innocent victim or a cunning Lolita artfully directed by her ambitious stage mother? How could the criminal justice system have failed all the parties concerned in such a spectacular fashion? Once Polanski fled the country, what became of Samantha, the young girl forever associated with one of Hollywood's most notorious episodes? Samantha, as much as Polanski, has been a fugitive since the events of that night more than thirty years ago. Taking us far beyond the headlines, The Girl reveals a thirteen-year-old who was simultaneously wise beyond her years and yet terribly vulnerable. By telling her story in full for the first time, Samantha reclaims her identity, and indelibly proves that it is possible to move forward from victim to survivor, from confusion to certainty, from shame to strength.
Bazin at Work
Presents essays and reviews from the late film critic